Small Objects: Sensory Dialogues Between the Body and the World
When film directors are asked about the messages of their films, if they say they leave it to the audience's imagination, I find this somewhat irresponsible. I believe that a performer's willingness to give a good performance on a good stage is paramount for responsible artistry. As German philosopher Schopenhauer Professor said in his book "The World as Will and Representation," even minerals and stones have wills. This time, I've made objects the protagonists, developing them into my concepts and sublimating them into my works as a counterpoint to human arrogance. Additionally, I've drawn inspiration from the Japanese sense of beauty and way of thinking, which I deeply admire.
I've tried to approach my work with the same intensity that many philosophers have used in exploring how to prevent human wisdom from falling into fascism.
Furthermore, I envisioned creating something made of metal, a durable material whose shape can be difficult to alter, if I could infuse it with my will. I also sought to create something practical with existential, physical, and aesthetic relevance.
In my lessons, I often instruct my students to imagine wearing a beautiful necklace on their chest and then adjust their posture. Instead of giving anatomical explanations like "pull up your ribs" or "straighten your back," I encourage them to visualise the necklace. If they can do this, their chest will rise and their back will straighten, even without actually wearing the necklace. When they have a mental image, their attitude changes. This is always a fascinating observation. When you wear something, the object's character is conveyed, and the atmosphere shifts mysteriously. That's why I've focused on creating works that emphasise not only the object itself but also how it affects the wearer's movement and demeanor.
Due to budgetary constraints and my schedule's progress, I had planned to outsource the design once it was completed, but this particular time I didn't do so until I hired somebody. Consequently, I decided to create the designs myself using handicrafts. This turned out to be a fortunate decision. If I had merely visualised the designs only drawn in my head, I doubt I would have achieved this level of work or been able to infuse my will into the forms as effectively. Although I had studied arts and crafts design in university, decades had passed since I had actively practiced these skills, making it challenging to recall my instincts.
I also started using the latest Adobe software for the final touches on the layout design and editing. I was impressed by how much the software had improved, it was helpful the core functionalities were to remain the same.
Every day brought something new, and it was a delightful summer that made me feel like a girl again who could do whatever she could imagine with an open mind and no limitations. On this occasion, I began by creating three experimental works this time. For the reasons mentioned above, my observations don't end with simply producing these works.
Please share your thoughts and preferences regarding these pieces if you like.
Small Objects: Sensory Dialogues
Between the Body and the World
Persons, objects, and the space that is created between them.
As the adorer moves, the sculptural object becomes illuminated,
with shifting light transforming it in response. The interacting senses are further amplified.
Small, sculpture-like objects worn on the body fill the space between the figure and the object, creating a
new dimension and inviting the possessor to move smoothly and without hindrance,
while communicating at a close distance where their sensibilities can come into contact.
From afar, the object asserts a powerful presence.
It offers hushed intimations of loveliness tangible to the touch.
The image within the object interacts with the person accoutred,
forging a connection between artefact, individual, and observer.
This relationship extends beyond mere resonance between the wearer and the object, whose core is filled
with a profound essence; it considers continuity between the observer and the observed.
As an aesthetic object, it provides a shared sensory experience and becomes a source of richness, imbuing
life with deeper beauty and meaning as an adomment.
Okutuki embodies a serene and composed presence,
drawing us into tranquillity like a hidden garden,
reminiscent of a secluded area sheltered
from the external world.
It portrays a sensuous and existential representation
of a refined object,
born from sophisticated craftsmanship
that interprets Japanese beauty
with a focus on materials and process—a story that
unfolds with each use, evoking a profound sense of
temporality, extensity, and transience.
Poppy Earrings |
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The Poppy Earrings capture the nascent moment before a flower's full bloom, showcasing an exquisite interplay of intricate reliefs and varied textures. These elements infuse playful ensembles with a touch of wild allure, awakening sensual sensibilities and inspiring a feeling of joy and optimism. Material: Sterling Silver Length 4.4 cm, Width 2.6 cm, Depth 1.4 cm Weight: 27g (per earring) Droplet Earrings |
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The Droplet Earrings boast polished, curved surfaces that mirror the landscape like still water. Their transparent, shimmering form captures and refracts light, becoming an ethereal extension of the environment. The object conveys to us a sense of connection with nature and peace of mind. Material: Sterling Silver Stud 5φ, Drop Length 2.15 cm Full Length 2.5 cm Pillar Earrings |
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The Pillar Earrings elongate the neck, gracefully tracing a pathway that connects the celestial and terrestrial realms.These delicate ornaments subtly respond to movement, adding a touch of elegance to both the wearer and viewers. Material: Sterling Silver Lost wax casting Large: Stud 9φ, Full Length 9.4 cm, Weight 15g (per earring) / Small: Stud 8φ, Full Length 6.4 cm, Weight 14g (per earring) |